English 125 Section 002
Saturday, April 30, 2011
The Prelude(1805) in its content of 13 books reveals itself as a poem of maturity. The overall gist og this poem that the author is finally out of captivity. To support this theme, the author states that he is coming home from the city wall's bondage. Because the Prelude can be interpreted in a philosophical way, "bondage" can be mental, physical, or emotional stress from city life. There is a clear and concise admiration displayed by the author in the first lines of this poem. The poem reads "there is a blessing in the gentle breeze that/ blows...and so fourth through the 5th line. He gives something as simple as a breeze human like qualities. This aspect is known as personification. His deep fascination with the when allows him to expound upon it in such a way that it comes to life right before the readers eyes on the page. Overall he is displaying his love for nature and its physical features.
As a result of being a free man in essence, the author then goes into a self evaluation of what he should do next. This comfort of freedom is foreign to him and he realizes that now he has some decisions to make. The poem takes a turn here when it switches from nature appreciation to curiosity of decision making. He is now a free man, and the possibility of what he can do is endless. This aspect made me revert to many prison shows on television. After being a prisoner for so long, one does not know what to do. They are so deeply embedded into being under captivity that they don't know how to live any other life other than that of a prisoner. And the author exemplifies these similar characteristics. He questions where he will reside and slumber?
Tuesday, April 26, 2011
1805
The Prelude of 1805 in Thirteen Books seems like a coming of age poem. In the poem, the speaker says that he is coming home from the city wall’s bondage, “A captive greets thee coming from a house| Of bondage, from you city’s walls set free”(Line 5). The main idea of this poem is that the speaker is finally out of bondage, whether that be physical or emotional hard times in the city life, and is about to experience the world beyond the city. The speaker’s child-like descriptions give this poem both an abstract and concrete quality.
In the first set of lines, the speaker is admiring the physical features of nature. The “gentle breeze that | blows from the green fields… seems half conscious of the joy it gives” (Lines 1-4) for instance, is a significant description because it shows the speaker’s observance and admiration of one of the simplest occurrences in nature, a breeze blowing. In addition, the speaker also notes that although this simple happening in nature can be admired, the act itself is one that brings him joy and happiness simply because it happens. This clear-cut description and admiration of nature is the first indicator of abstract qualities in this poem. Instead of just saying that the breeze is nice or feels good, the speaker takes four lines to admire it and ultimately personifies it to convey his shear observance and appreciation.
The speaker then goes on to note all of the options that are available to him and the decisions he now has to make since he is “free from bondage”. “Now I am free, enfranchised and at large” (Line 9) begins the transition of being thankful about nature’s simple pleasures to realizing all that he can do and appreciate now that he is free from the toils of harsh city life. Afterward, the speaker lists all of the questions that he is going over in his mind such as where to live and sleep (Lines 10-13) Asking these questions give the poem concrete qualities because he is actually considering this things realistically.
In line 14, the speaker again begins to personify earth; however, this time he is making a comparison to his personal situation, “The earth is all before me – with a heart joyous, nor scared at its own liberty”. This comparison illustrates that the speaker is trying to convince himself that the earth is not afraid of freedom so he should not be either. This is one of the most important parts of the poem because it emphasizes the wonders of nature both physically and emotionally and the freedom that it has to do what it wants when it wants. In realizing all of this, the speaker is beginning to understand the transformation that he will have to undergo as he sets out on a new life beyond the bondage of the city.Monday, April 25, 2011
Optional Don Juan Blog Post
A phrase that stuck out to me was "Pleasure's a sin and sometimes Sin's a pleasure". This is very interesting not only because it is true, but the fact that we as humans forget this often. When we are young we are taught what is right and wrong, but as we grow older we tend to realize that some of the stuff we thought was wrong feels good. I don't know if its the rush we get from doing something bad or the actual effect of the sin, but it feels good, it is pleasure. Byron is claiming that choosing pleasure is a sin because to achieve this pleasure you must sin. Juan and Julia found pleasure in each other but at the cost of Julia cheating on her husband, committing adultery. Sinning can sometimes be a pleasure, but no matter the pleasure it usually doesn't measure up to the risks associated with it. For example, Julia may have slept with Juan for a night, but she risked her lasting marriage with Alfonso. Pleasure is a basic need in life, but how we obtain it separates us from the animals.
Maybe our life's goal is to obtain pleasure while we are alive, because few mortals know what the end will hold. The speaker tells the reader that even he does not know what to expect in the afterlife so during his time alive he wishes to seek out pleasure. Does pleasure exist in the afterlife?
A Prelude to Lunch
What I had never noticed before, that
Humble sandwich, the vessel by which life
Is transferred from the cow, the fowl, and the
Lowly chaff of wheat into God-hewn tract,
Hath a power to consecrate—if we
Have tongue to taste—even the dreariest
Workday afternoon. The mayo, mustard,
Savory meats and hearty garden plants
Have flavors in themselves that interact
With the passions of man’s palate, and spur
Mere taste to evolve, by process unclear,
Into the poet’s loftiest genius.
Based on Wordsworth’s Prelude, 1805 version, lines 278-296